This updated and expanded edition provides comprehensive coverage of the theory and practice of counselling survivors of child sexual abuse (CSA). In a reasoned and thoughtful approach, common stereotypes of abusers and their victims are replaced with current knowledge on the incidence of CSA and its long-term impacts on adult survivors. Christiane Sanderson explores the therapeutic relationship from building trust and meeting the client's needs to establishing boundaries, addressing transference issues and avoiding secondary traumatic stress. She evaluates various treatment approaches and techniques, and discusses the advantages and disadvantages of group therapy.
Stand-alone chapters provide in-depth coverage of: * CSA's impact on survivors' sense of self and their relationships with others * self-harming behaviour, including self-injury, substance abuse and eating disorders * how memory is constructed and reconstructed, including the controversial issues surrounding recovered memories * useful approaches to coping with fear and loss from working with other types of trauma * normal sexual development and typical sexual difficulties for survivors * working with shame and dissociation. Counselling Adult Survivors of Child Sexual Abuse honestly addresses the complex issues in this important area of work. It provides practical strategies for those new to counselling in this field and valuable new insights for experienced counsellors.
In ‘Wat alleen de roman kan zeggen’ schrijft een gepassioneerd romanschrijver over zijn métier in een nieuwe tijd. Het gaat over beeldcultuur en literaire cultuur, over klassieken als Tolstoj en Proust, maar ook over Jonathan Franzen en de grote Japanse schrijver Kawabata; over de verhouding tussen roman en actualiteit, de verbeelding van het intieme, het belang van stijl en literaire traditie, het verlangen naar nieuwe vormen en de toekomst van de roman. Allesbeheersend is de vraag: hoe kan de roman overleven in een cultuur waarin hij met zoveel andere media moet concurreren?
With this statement, al-Khatib al-Baghdadi, a Muslim preacher and scholar, introduces The Art of Party-Crashing, a book that represents a sharp departure from the religious scholarship for which he is known. Compiled in the eleventh century, this collection of irreverent and playful anecdotes celebrates eating, drinking, and general merriment. Ribald jokes, flirtations, and wry observations of misbehaving Muslims acquaint readers with everyday life in medieval Iraq in a way that is both entertaining and edifying. Selove’s translation, accompanied by her whimsical drawings, introduces the delights and surprises of medieval Arabic humor to a new audience.
This is a reproduction of a book published before 1923.
This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide.
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